Proof of Concept

Fewer, better pieces beats a long scroll.

Working with my hands on one piece at a time keeps my instincts honest when I’m making decisions that get multiplied across thousands of units.

Buck & Doll · Product Design, Made Explicit

Mid-century restoration isn’t a hobby on a resume, it shapes how I think about product at scale.

01

Construction literacy

Restore a mid-century piece by hand and you’re forced to understand why it was built that way: how a frame is joined, how upholstery is tensioned, why a material was chosen for a stress point. Reviewing a spec or BOM at scale, I’m not just trusting the drawing; I know what will hold up in production and what fails in year two.

02

Material honesty

Restoration teaches you to respect what a material actually is, you don’t hide bad wood under too much finish, or oversell a fabric’s durability. That’s exactly how I evaluate new materials: does the real performance match the price point and use case we’re promising the consumer?

03

Restraint

Mid-century design at its best is defined by what’s not there. Running design reviews at scale, that’s the lens I bring: does this detail, this trim, this pattern earn its place, or is it decoration that adds cost and complexity without adding value?

Buck & Doll · Selected Restoration

Before & after, a small, curated set.

BeforeBlocky-arm mid-century lounge chair before restoration
AfterThe same lounge chair after restoration in ebony and cream bouclé

Blocky-arm lounge chair

Stripped and re-stained to a deep ebony, then reupholstered in a cream bouclé, the same bold mid-century frame given a completely modern read.

BeforeSculpted-arm lounge chair stripped to a bare frame
AfterThe same chair refinished with green wool cushions

Sculpted-arm lounge chair

Taken down to a bare frame, joints re-glued and the wood refinished, then rebuilt with new foam and green wool. From a stripped skeleton to a finished piece.

BeforeWorn round swivel lounge chair and ottoman before restoration
AfterThe same round chair and ottoman reupholstered in speckled teal

Round swivel lounge & ottoman

A worn, grimy round chaise and its ottoman brought back in a speckled teal, new foam, new fabric, and refinished wood accents.

Quantified Achievements

Stated in one sentence each.

40%
Hospitality RFQ pricing reduced year over year, $1.2M in total savings.
$1M
Annual VAVE value-engineering savings through targeted product re-engineering.
18-9 months
Concept-to-shelf timeline, cut nearly in half.
100+ pages
Visual Brand Language guide, the guiding document for how we design product.

Visual Brand Language

The 100+ page guiding document for how product gets designed.

Where the trend deck argues for what to build next, the Visual Brand Language governs how it gets built. It’s the reference point every concept gets pressure-tested against: how a brand’s identity translates into artwork, material, construction, and finish, so a design stays on-brand from concept board all the way to a finished bed.

I authored this one for Serta: over a hundred pages defining mass-appeal design principles, material and color standards, tape and stitch specs, even the customer it’s all built for. It’s the shared standard that lets a team move fast without drifting: when everyone designs against the same visual language, clarity scales.

Serta Visual Brand Language guide, cover

Inside the guide · 105 pages

VBL page: the importance of mass appeal in design
VBL page: design principles, clean, sleek, bold, and modern
VBL page: the customer profile it is built for

Why La-Z-Boy

I don’t lose the construction-level thinking just because I’m operating at a portfolio level, and that’s exactly the instinct a design-led furniture company should want in the room.